As we all remember, Snoop Dogg made a triumphant appearance on Gorillaz‘ very likeable Plastic Beach last year, on “Welcome To The World Of The Plastic Beach.” Now we’ve learned that the prolific rapper’s upcoming Doggumentary album features a collaboration with Damon Albarn and his Gorillaz crew, on a tune called “Sumthin Like This Night.”
Musically, I was not insanely impressed with “Kush,” when it first hit the blogosphere last week, nor was I surprised. The first single from Detox, the record Dr. Dre has been promising his swarms of fans for a decade now, houses a standard Dre beat, standard Dre contributors (Snoop Dogg and his cohort Akon) and ample references to, you said it, kush. While the video follows a familiar formula as well (hot girls, expensive cars, private jets, the signature Snoop exhale, Dre walking in slow motion, as poise and nonchalant as possible), it’s also very innovative and probably the most expensive video of 2010, quite visually appealing. It focuses on an entire elite world that is stuck in freeze frame, only Dre, Snoop and Akon have the ability to maneuver around it.
UK trip-hoppers Gorillaz have released a video for the sixth single off their very-well-received 2010 album Plastic Beach -– it’s the record’s Snoop-featuring quasi title track, “Welcome to the World of the Plastic Beach.”
Could this finally be it? Is “Kush” really the first single from Dr. Dre‘s infinitely delayed Detox album? I really couldn’t tell you, but it does seem like a positive sign that Dre has hooked up with frequent collaborator Snoop Dogg and recruited jj’s favorite R&B crooner, Akon for a catchy hook; “Kush,” an ode to marijuana, sounds as radio-friendly as Dre gets. Give the track a listen below:
It would be tempting to say that Robyn’s Body Talk Pt. 2 picks up where the first installment left off, but that would be a clumsy use of the phrase – in actuality, Body Talk Pt. 1leaves off with acoustic tracks and Swedish folk songs. That is distinctly not where Pt. 2 picks up. The second of three albums in the Body Talk series picks up somewhere right around the middle of part one, full of lush synthetic pop songs sung by a singer making a case to be the most adorable badass this side of, well, anyone.
Let’s talk. Let’s talk as if we’ve never heard Body Talk Pt. 1, as if this is our introduction to Robyn. In that world, this album is phenomenal, untouchable. Every song on the record is stellar – and I mean that in the scrape-the-stars sense of the word. The production is spotless, the hooks are catchy, and Robyn’s personality rings true across danceable beats and swelling synths. Album opener “In My Eyes” gradually builds in density, before dropping out and leaving Robyn to promise “You’ll be OK.” On the next track, Robyn breaks it down for us – “It is really very simple, just a single pulse, repeated at a regular interval.” If that’s how she builds her dance songs, she’s doing something rare: making the easy look delightfully complex.
The album’s highlights come in the form of “Hang With Me,” “We Dance to the Beat,” the Diplo-produced “Criminal Intent,” and Snoop Dogg feature “U Should Know Better.” For those of you keeping track of these sort of things at home, that’s half of the album. It seems that in this whole mini-album foray, Robyn has chosen to separate the wheat from the chaff, leaving the chaff on the cutting room floor. I’m for it.
“We Dance to the Beat” is another example of that single pulse, repeated at a regular interval, mixed in with repetitive phrasing reminiscent of Passion Pit’s “Sleepyhead.” It’s Robyn at her most robotic, hypnotic and trancelike but imbued with an understated emotion that pokes through on certain phrases. “Criminal Intent” smacks of cougar-ism, a siren-referencing tune that bumps its way into your brain with little remorse. “U Should Know Better” is the most urgently dynamic song on the record that overcomes (unsurprisingly) lackluster Snoop Dogg verses to make Robyn seem absolutely unstoppable.
Body Talk Pt. 2 is awesome. It is across the board excellence – even the slight dip of “Love Kills” and the acoustic mood change of final track “Indestructible” can’t tarnish that fact. But the jig is up. I’ve gotten five paragraphs in without referencing the elephant in the room. While I would love to consider Body Talk Pt. 2 on its own, I cannot help but compare Body Talk Pt. 2 to Body Talk Pt. 1 – the two records are linked by shared names and shared sonics.
When approached from a comparative standpoint, Body Talk Pt. 2 loses some of its luster. The album is more consistent than its predecessor, which has a bit of a dragging back half, but seems a bit like a new building built from the same blueprint. “We Dance to the Beat” mimics the structure of “Don’t Fucking Tell Me What To Do.” “Hang With Me” is a recapitulation of an acoustic track from Pt. 1. “In My Eyes” and “Include Me Out” reach for the heights of “Dancing On My Own” and “Cry When You Get Older” without every quite reaching that level. Indeed, the opening quartet of tracks from Body Talk Pt. 1 has set a standard that has yet to be met, a tough act to follow for sure.
Fact is, I’d wager that if Body Talk Pt. 1and Body Talk Pt. 2 had been released in the opposite order, I’d be saying that the second release didn’t live up to the first – it’s the similarity of the releases that causes that sentiment, not the quality. From album to album, we are accustomed to hearing some sort of evolution in artistry – a change in direction, an additional influence, a growth in style. That development just isn’t present here. But can we really expect much transformation from Robyn in the span of just a few months (during which she is touring material from Body Talk Pt. 1, I might add)? Let’s not damn her for giving us good music twice in a single year. Take Body Talk Pt. 2 for what it is, without comparing it to its older sister. It is a phenomenal album, digestible in length and chock full of bangers. Can we really have too many albums like this?
Giveaway To enter to win a copy of Body Talk, Pt. 2 on CD and a $20 iTunes Gift Card, leave a comment with your thoughts on the album, rate the album and “like” PMA’s Facebook Page. A winner will be picked at random on September 16th.
