“Sleep Paralysist” is the latest free single to sprout up out of the Green Label Sound vaults. In the passed, they’ve released new, free tracks from Matt & Kim, The Cool Kids, Chromeo and Theophilus London. Today, Neon Indian graces the front page of the label’s website. “Sleep Paralysist” was co-produced by Neon Indian’s Alan Palomo and Grizzly Bear’s Chris Taylor. I can already hear the distorted chillgaze/glo-fi synths on Grizzly Bear’s Veckatimest follow-up, can you?
Here is the second single from the increasingly rewarding new album from Austin’s Harlem. Said album, Hippies is out April 6th on Matador Records. You can pre-order the album at a 15% discount at the Matador Store. Download “Gay Human Bones” below:
Rumours online suggest HEALTH are preparing another record in the form of a remix album, much like they did on the first LP with contributions from Gold Panda, Walls, Renaissance Man, Hidden Cat for starters – with many more to come. Here is a taster, or not, we don’t know (official or not via Molasuperpoca.com) – one could argue to this being the best track (in its original form on the record).
Imagine life that has become so glossed with love and care and joy and sex that everything before that moment is entirely irrelevant. There was nothing before. Only the now.
Vinyl giveaway details at the end of the review. Broken Bells Broken Bells Columbia Records out March 9th 85/100 [Rating Scale]
The partnership works as most good ones do, which is to say that there is no obvious aural distinction between contributions from Mercer and Burton. Both authors are given credit on music and lyrics, and the duo has gone on record saying that the entire album was written collaboratively. On Broken Bells, as Burton nudges Mercer towards a little more experimentation and fuzz, Mercer tugs him right back toward more relaxed song construction and instrumental progression. It’s a game of back-and-forth that winds up solidly in the middle, to the benefit of the listener. Rather than a jumbled mess, it’s a cohesive compromise – an album that doesn’t try to do too many things, and just is.
Broken Bells is a dark little gem of an album, an enjoyable slow burner that is pleasant to the ear on first listen and only improves with age and attention. On it, we hear Mercer at his most introspective. Gone are the upbeat songs of youth, replaced with sage wisdom; “I know what I know would not fill a thimble,” Mercer sings on “October,” “so let your mind go straight down the runway.”
Mercer’s lyrics have long been worthy of examination, and Burton proves to be a deserving co-writer. While there are plenty of lines that could be interpreted as subtle references to two of Mercer’s former Shinsmates, with whom he had a less than amicable parting, Burton’s involvement makes those inklings less sound. “The high road is hard to find, a detour in your new life, tell all of your friends goodbye,” “I cut the tie and I don’t have to rely on nothing no more,” “Digress from the people once by your side, but now that it’s over you have to pick up and start again.”
So let’s take the high road, so to speak, and assume that Broken Bells is about more than that. This isn’t some bitter barb aimed at old colleagues – it’s Mercer and Burton pondering how they got here, what they’ve done, and what there’s time left to do. Again and again the album’s musings turn to the permanence of life – the word “life” itself becomes a trope, heard on at least seven of the album’s ten tracks. It’s a wistful retrospection, but one tinged with a stop-sighing-and-do-something urgency. There’s no trace of complacency; instead Broken Bells describes a constant journey toward an impossibly distant destination. “Remember what they said,” sings Mercer, “there’s no shortcut to a dream. It’s all blood and sweat, and life is what you manage in between.”
It’s a brutish and short life that the pair describes, stagnation broken only by constant movement and change. “I was lost then and I’m lost now,” Mercer realizes on second single “Vaporize,” before confessing “I doubt I’ll ever know which way to go.” It doesn’t matter where he and Burton are going, though – it’s the going that is the important part. And Broken Bells is a step in the right direction.
To enter to win a copy of Broken Bells on LP (or CD, if you’d like), all you have to is leave a comment and retweet this review. Have you heard the album? If so, rate the album (above) and leave a comment with your thoughts on this review and the album in general. If you haven’t heard the album, comment about your expectations, or listen to it in its entirety at on the Lala player above. Make sure to leave a valid email address in the comment field. Entries will be accepted until March 14th.
Hello Pure Ecstacy, grab the MP3 of the single from Pitchfork or Gorilla Vs Bear.
Hanging out at SXSW?
3/17 | 19.55 // Underwater Peoples Party
3/19 | 14.00 // Light Lodge Party at@ Queen Lola’s at 12th and Chicon
3/21 | 18:40 // Shake Some Action Party at www.ethiopianrestaurantaustin.com
Video shot by the awesome Yours Truly of them performing the song live in San Fransisco, preorder the single 7″ release from Acephale here