
Below is the latest edition of our weekly feature, Stuck On Repeat. The premise is simple, we’ve asked all our contributors to submit one track and a brief write-up. The track can be new or it can be old, just whatever we could not stop listening to this week. These are the songs we’ve had Stuck On Repeat.
:: selected by: V :: George Quartz – Butterscotch
Located on the outskirts of Dallas, Denton, TX has become the Brooklyn of the state. There appears to be no shortage of talented (and often quirky) musicmakers emerging from this area and George Quartz is an equally oddball character. I don’t know much about him, aside from his tumblr, La Maladie Tropicale. He only has a few tracks to his name and seems like he could quit at any moment and flit off to immerse himself in some other artistic endeavor next week. Maybe he already has. I rediscovered his tracks in my iTunes this week. “Butterscotch” is the best of the bunch, a sexed-up, synthetic Muzak jam that makes me feel like I’m sharing a warm steel box with a mysterious businessman dressed in a sharp suit and black leather gloves, gliding up towards some undisclosed penthouse high above a city whose language I don’t understand.
:: selected by: BryanB :: The Aikiu – The Red Kiss
I don’t know exactly why but “The Red Kiss” by french band Aikiu continued to creep it’s way into my subconscious and my playlists throughout the week, but it was gladly welcomed. I love the vaguely Tears for Fears meets Erasure tone the song has, complete with a breakdown that would make Vince Clarke weep with pride. I’m drawn not only to lead singer Alex Aikiu’s deep tone but also his lyrical capitulation to death, with the constant, mantra-like phrasing. It’s more of a romantic surrender than a paranoid plea. I like that.
:: selected by: Jams Dean :: J Cole – Higher
My opinion of J Cole went from ‘good’ to ‘really good’ after listening to his Friday Night Lights mixtape. Not every line is a clever line, but his ferocity never dwindles. I really want to hear him do a song with Freddie Gibbs, someone who shares his intensity, but instead he goes with Drake, an unsurprising compliment to any rapper. The song “Higher” reveals another side of J Cole, showing that he is not only capable of killing stuff but also taking a poppy rap beat and making it sound like a timeless high school jam. A mixtape like this is so good it might as well be considered an album. I don’t know why it’s not, unless that album of his is even better than the mixtape, and then my opinion will have to be shifted from ‘really good’ to ‘no, listen, seriously, this is really good.’
:: selected by: Moneyworth :: Rampage – Whats That Groove (Nader’s Chicago Mix)
I think it’s kind of funny how certain house-music-inclined sectors of the internet write about the current state of house in Chicago. It seems like they take an extremely romantic view based on its role in the origins of house. Granted, it’s definitely cool as fuck to live in the city where house music was born, and I feel a certain possessiveness, or something, when I hear about Frankie Knuckles and Chip E. and the Warehouse, even though it’s not like I was born at the time. Because of that, it’s almost a letdown that the Chicago house “scene” in 2010 is a much smaller, less prominent niche than house purists of the world would like to believe. There are a few places around the city that somewhat consistently play solid house, and I wish they were more popular, but they’re just not. It makes the handful of Chicago producers that do make “true Chicago house,” in a passionate and informed way, that much more special, and Ghetto Division stands out the most to me in this sense. I feel like they’ve blown up (deservedly) more on sites like XLR8R than they have in mainstream Chicago, but the south side dj/production crew has consistently put out some incredible releases and thrown dope ass parties that make me feel like Chicago house will never really die. I don’t want to sound like some jaded aging douchebag, but it feels refreshing to hear club music that feels like it was made with emotion, and with soul, rather than some formula for banger. Their Southside Boogie EP came out a few weeks ago (featuring this song’s original version), and it’s fantastic.