India’s own Arjun Vagale just dropped his newest EP, Danger Mouse and it’s nothing short of a Tech-House bomb! The EP is exactly what you would expect from the massive producer: dark, hypnotic and brilliant. Arjun Vagale’s talent shines bright throughout the entire EP but I’ve taken a partcular liking to the title-track, Danger Mouse. Danger Mouse‘s complex sequencing and catchy lead have me listening to the song on repeat! Check it out after the jump!
India’s own Arjun Vagale just dropped his newest EP, Danger Mouse and it’s nothing short of a Tech-House bomb! The EP is exactly what you would expect from the massive producer: dark, hypnotic and brilliant. Arjun Vagale’s talent shines bright throughout the entire EP but I’ve taken a partcular liking to the title-track, Danger Mouse. Danger Mouse‘s complex sequencing and catchy lead have me listening to the song on repeat! Check it out after the jump!
El fin de semana me vi un documental llamado Copyright criminals, que recapitula casos donde el uso comercial de sampleos se torna controversial.
Esta el caso del baterista de James Brown, Clyde Stubblefield, de quien artistas como Madonna, LL Cool J, Public Enemy, como Prince han tomado el mismo fragmento ritmico de la canción "Cold Sweat", convirtiendolo en el baterista más sampleado de la historia. Por cierto no recibe regalías ni crédito alguno.
Otro tremendo caso es el de Danger Mouse, quien tuvo la brillante idea de tomar el white album (The Beatles), el Black album de Jay Z y crear el Gray Album. Al ser lanzado en el año 2004, EMI y el copyright holder de The Beatles pelearon con todo para que saliera del alcance público.
En contra parte se elaboro una fecha mundial (febrero 24 2004) en el que se llamaba al mundo a desobedecer y bajar en conjunto el album via internet.
Ilegal?. Abusivo?. Desobediente?. Aquí se los dejo...
Rome, Danger Mouse and Italian composer Daniele Luppi’s lavish and pitch-perfect love letter to Ennio Morricone, is something of a twice-over orphan: an original motion picture soundtrack in need of a Sergio Leone film reel, and a curio in need of an audience. Its cinematic ambitions shine marquee-bright. On the album’s cover, the two composers “present” their work, in true Hollywood fashion, while Jack White and Norah Jones, its dramatis personae, “star” in it. Rome even contains its very own “theme,” by way of its opening track, its coo a blatant aping of the iconic whistle of The Good, the Bad, and the Ugly.
It might seem to you that producer extraordinaire Danger Mouse and Italian composer Daniele Luppi’sRome project also consists of Jack White in its entirety, but unfortunately this is the last from the record that will feature White’s signature vocals.
Producer extraordinaire Danger Mouse and Italian film composer Daniele Lupi have been working on their Rome project for years now, but we only got to hear the first previews a few weeks back when Jack White‘s Third Man Records released a Record Store Day only exclusive. The vinyl comprised of two tracks from Rome: the White fronted “Two Against One” and “Black” with Norah Jones.
