RSS

Author Archive

Peter & The Magician share ‘On My Brain’ EP Feat JD Sampson

06 19 2013

peter and the magician

Peter & The Magician, the dreamy collaboration between heavy disco-weights Yuksek and The Magician will release the ‘On My Brain’ EP on Yuksek’s Partyfine Label June 24th

The lead track On My Brain “…sounds like a 90’s dance tune from Chicago or New York with the Belgian touch and a classy French production.” according to one half The Magician with a feature being handed to JD Sampson of Le Tigre Fame – probably our favourite of the three.

This will be the second EP on Yukseks label, the first being the Partyfine compilation. So how did the magical pairing began?

“We met in various clubs and on festival stages before we really got to know each other at Calvi, Corsica, three years ago,” Yuksek explained, “we had dinner together and decided to meet again after summer to record Stephen’s next tracks and have him listen some tracks that would be on my second album. In the end, we begun work on one track, then two, and then the Peter & The Magician project was born!”

Yuksek will also be heading out on an Australia tour with 6 stops across the nation, full details here.

Peter & The Magician Tracklisting
1. On My Brain
2. Peter Pan ft. JD Samson
3. On My Brain (Dub Edit)

Have a listen to their exclusive mix below

Mark Pritchard to release ‘Ghosts’ EP on Warp Records

06 19 2013

MP GHOSTS

Mark Pritchard will release a new EP ‘Ghosts’ on Warp Records later this month.

Mark Pritchard, one half of current electronic forces Africa Hitech and Harmonic 33 will release the new EP as part of three instalments before a full-length album.

‘Ghosts’ the lead single from the release is his take on footwork and a nod to Detroit Techno!

Track listing
1. Manabadman feat. Spikey Tee
2. Ghosts
3. Duppies
4. Get Wyld
5. Manabadman (Instrumental) (digital bonus track)

Listen to Mark’s 30 minue mixtape for Kode9 and Rinse RM here.

Mark Pritchard 30min ‘Ghosts’ Mix for Kode9 / RinseFM

06 19 2013

MP GHOSTS

Outsidein Festival Organisers Respond To Listen Out Announcement

06 18 2013

listen out outsidein

Astral People, who run the boutique electronic Outsidein Festival have responded to the announcement of Fuzzys own new dance niche party ‘Listen Out’.

Astral People note the positive nature of bringing new acts to Australia that haven’t toured before but also the similarities between the two.

The result also means a push of the Outsidein lineup that was scheduled for tomorrow/Thursday.

What do you think of it all?

OutsideIn was started as an avenue to promote quality underground electronic music to Sydney and beyond. We’ve put in hours upon hours of work into our brand and developing an event that we as music lovers could be proud of.

We are all for competition and companies bringing out new, interesting artists because at the end of the day why we do this is for the love of music. And this is just another opportunity for us to see some more of the artists we love. We’d rather people bring out these sort of artists than the same recycled acts year in and year out. It goes back to why we essentially started OutsideIn.

To see others now blatantly rip off what we’re trying to do is not just an insult to us but more so an insult to the intelligence of patrons and music lovers alike. If you think that copying a logo and rebranding your festival is enough to win over fans then you’re sadly mistaken. Our fans know good music. At the end of the day we are confident that it’s what will always keep us a step ahead of the others no matter what sort of brand or name is thrown behind it.

We will be delaying our announcement so we don’t get caught up in the media mess that will eventuate over the next week but rest assured, we will be delivering a product to the best we can for you guys early next week. This has been a tireless effort from all our ends and united with our amazing fans we will return bigger and better this year. Don’t follow imitation, we got you.

Love,

The OutsideIn Family x

Tiger & Woods “A Golden Bear mix”

06 18 2013

tiger and woods golden bear

Take a tour of Holy Ships new home – MSC Divina

06 17 2013

If you weren’t envious of those heading to Holy Ship next year, you will now with a ‘tour’ of the MSC Divina.

An upgraded vessel from last year, the MSC Divini is most definitely the ship you want to be sailing when it comes to get down to the ridiculous Holy Ship lineup that boasts among others Skrillex, Baauer, Diplo, Boys Noize, Disclosure and our own Australian exports, Flume and Light Year.

The ship itself looks to cater for everyone with expansive decks, dark clubby rooms, indoor pools, beautiful bedrooms and a whole lot more.

Holy Ship 2014 is sold out but you can get yourself onto the waiting list for a slim chance at a ticket.

ps how great is the Destructo b-side ’2112′?!

Holy Ship 2014 Lineup

Skrillex
Duck Sauce
Diplo
Boys Noize
Zedd
Laidback Luke
A-Trak
Zeds Dead
Dillon Francis
Baauer
Chromeo (DJ)
Disclosure (DJ)
Armand Van Helden
Mark Ronson
Flosstradamus
Claude VonStroke
Maceo Plex
Flume
RL Grime
Brodinski
Crookers
Alvin Risk
Destructo
Justin Martin
Shlohmo (DJ)
Clockwork
GTA
Alex Metric
Oliver
Breach
Just Blaze
Griz
Gramatik
Ryan Hemsworth
Cyril Hahn
DJEDJOTRONIC
Strip Steve
TJR, Riton
Kill Frenzy
BCK2BCK
Amine Edge & Dance
French Fries
Gorgon City
Light Year
T. Williams
Jerome LOL
Samo Sound Boy
Kaytranada
Liquid Todd
plus a special guest appearance by Pharrell Williams.

Watch Gesaffelstein’s ‘Pursuit’ Music Video

06 17 2013

Gesaffelstein has released a music video for ‘Pursuit’, his latest single out today on OWSLA.

It really shows dance music is big business when a producer from a relatively harder genre of music can put together what looks to be a big budget music video.

Although it probably didn’t cost as much as Deadmau5′s million dollar clip it certainly resonates a high tier of production, which some could say reflects the premium nature of techno music.

The clip itself bangs along with babes, a rave-room and an armed fighter jet and will surely put some led in your pencil.

ProducerFactory; “…is clearly on the side of the Producer”.

06 17 2013

producerfactory

ProducerFactory have released an official statement after last weeks uproar.

ProducerFactory; a site designed to allow anyone to purchase a track and release it online as their own, along with attractive packages to boost everything from Soundcloud plays to Twitter followers has released a rather ambiguous official statement.

Without denying any real wrong doing, ProducerFactory have taken cover with artists as stating they are “…clearly on the side of the producer” by providing a service to those who cannot afford ‘expensive studio equipment’.

On the flip they claim to help those that want to make extra revenue without having to jump through the difficult process of releasing things digitally.

As previously mentioned we were surprised and overwhelmed by the flood of attention ProducerFactory attracted caused by a few Forum entries. We never could have imagined ProducerFactory would create such hype within the Internet EDM (Electronic Dance Music) community. Our intention has always been to design a platform for the producer, the true artist, where we offer the chance for them to generate extra income to push their own career forwards. Every active producer knows how expensive the acquisition of studio equipment is, especially
when you are talking about the hardware. Producer Factory does not employ internal producers who deliver cheap work to be sold, instead we offer every talented producer the chance to acquire extra income and keep 100% of the royalties adjoined to their track. A service we offer all producers is our PF Network Publishing to allow income to be generated even after the production has been passed on. We will always support the producer and their rights. “ProducerFactory is clearly on the side of the Producer”.

It seems that this statement would have been appropriate on-site when it launched and helped explain exactly what ProducerFactory is, or what it’s reasoning was, versus a sort of, ‘oh hey, we’re good guys as well’ – that and not offering various packages helping boost Soundcloud plays, Youtube views and Twitter followers (derp).

This feels more like a knee-jerk reaction to all the negative feedback the site has recently had and not such a ‘clearing’ of things.

Read the full statement below

As previously mentioned we were surprised and overwhelmed by the flood of attention ProducerFactory attracted caused by a few Forum entries. We never could have imagined ProducerFactory would create such hype within the Internet EDM (Electronic Dance Music) community. Our intention has always been to design a platform for the producer, the true artist, where we offer the chance for them to generate extra income to push their own career forwards. Every active producer knows how expensive the acquisition of studio equipment is, especially
when you are talking about the hardware.

Producer Factory does not employ internal producers who deliver cheap work to be sold, instead we offer every talented producer the chance to acquire extra income and keep 100% of the royalties adjoined to their track. A service we offer all producers is our PF Network Publishing to allow income to be generated even after the production has been passed on. We will always support the producer and their rights. “ProducerFactory is clearly on the side of the Producer”.

The focal point of ProducerFactory is to allow the producer the chance to negatethe deficit the Digitalisation of music has caused. On top of this, the movement away from Vinyl Records has completely changed the structure of the music market. Where historically perhaps a few hundred records a day were introduced into the market, there are now thousands of tracks being uploaded to downloadshops ready to be sold daily. This results in the artist only reaching their goal of
excelling the competition by providing a recognizable music style, consistency, diligence, staying power and certainly also accurate investment of the available capital.

Many talented producers have now understood the above-described philosophy we follow. This statement has been enforced by the delivery of top quality tracks by producers to ProducerFactory with the intention of being sold. True artists know that releasing one track is not enough to establish oneself in the music scene.

ProducerFactory also has the intention to widen the wonderful spectrum of music. This can be achieved by the introduction of excellent tracks into the scene that otherwise would be collecting dust on a talented producer’s hard drive. One reason for a stagnant track is their Alias does not provide that exact style and hence the release of the track would harm their consistency mentioned earlier. Music is here to be heard and the more the merrier. The reaction to ProducerFactory also clarified that if a producer did extend their customer base to pass on their music through either online advertisement or word to mouth, that they would be shunned from the market in a similar manner.

All musicians deserve the income their work can generate, as time and effort along with talent has been effectively put to good use. What the owner of the music wishes to achieve with their composition is completely up to them. We will help them stay anonymous for their own protection.

Skrillex – Essential Mix (BBC Radio1) – 2013.06.16

06 14 2013

Skrillex - Performance

5 Reasons Why Skrillex’s Essential Mix is Important

06 13 2013

Skrillex

Skrillex has become a household name over a relatively short period of time. From his origins as a pioneer of US dubstep, he’s now the Grammy-toting owner of OWSLA — one of the most influential labels in electronic music. OWSLA’s releases have diversified from dubstep over time, even to the point where Skrillex released an ambient, Burial-inspired EP under his own name. Needless to say, the man whose mum calls him Sonny Moore has built himself an increasingly diverse empire on thick, wubby foundations.

With such dizzying heights of popularity comes the inevitable backlash (oh hey Flume). Many are scratching their heads about the prospect of Skrillex – a producer often seen as the figurehead of the most all-encompassing fad genres in recent memory - being selected for an Essential Mix in 2013.

We’re thinking just the opposite. A guy that has done all that should in theory be able to put together a very interesting mix. So we compiled five reasons why Skrillex’s Essential Mix is important.

1. Tastemaker: In the relatively short time that Skrillex has been involved in dance music, he has led not followed. American tastes have changed since the height of dubstep’s popularity, and the Essential Mix’s immediate audience in the UK has certainly moved way past that fad. The breadth of Skrillex’s influence means that the sound of his mix could very well be labelled ‘commercial’ in 12 months.

2. Production: Someone that can produce their own music should be able to work their way around a mix fairly well, expect silky transitions and seamless track selection. No trainwrecks here folks!

3. Collaborations:  Skrillex has important friends. Lots of them. Two major collaborations spring to mind; Dog Blood, his acidy take on techno with leader of the pack Boys Noize, and Jack U, his relatively unknown project with the king of social media beats Diplo. Get ready for some unreleased gems from these two.

4. OWSLA: Running your own label means access to music, a whole lot of music. With artists like Skream, What So Not, Destructo, Dillon Francis and more, this mix is as eclectic as Skrilly on a bad hair day.

5. Personality: Skrillex is the kinda guy who believes it’s all in a day’s work to dive chaotically off a giant spaceship-esque stage into a sea of kids, hair whipping viciously into their pimple-ridden faces. Pus. Everywhere. So when approaching an Essential Mix where he is without a stage, it would make sense for Skrillex to carve out a visual-free spectacle that’s just as groin-thrustingly excellent as a live show.

Skrillex’s Essential Mix aired on BBC  Radio 1 on Friday night, UK time. Keep an eye on Stoney Roads for a stream of the mix as soon as it lands.

For now, listen to his Essential Mix from 2011. It’s a live set from when he supported Nero at Rockness Festival back in 2011.

Update: listen to his Essential Mix below